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Program

Adam, the son of a fisherman, is offered the ultimate privilege to study at the Al-Azhar University in Cairo, the epicenter of power of Sunni Islam. Shortly after his arrival in Cairo the university’s highest ranking religious leader, the Grand Imam, suddenly dies and Adam soon becomes a pawn in a ruthless power struggle between Eqypt's religious and political elite.

Country:
, Finska Sweden, France, Finland, Denmark, 2022
Genre:
Drama
Group:
FEST 51
Duration:
126’
Director:
Tarik Saleh
Screenplay:
Tarik Saleh
Cast:
Tawfeek Barhom, Fares Fares, Mehdi Dehbi, Mohammad Bakri, Makram Khoury, Sherwan Haji, Yunus Albayrak, Mouloud Ayad, Youssef Salama Zeki, Ayman Fathy…
Cinematography:
Pierre Aim
Editing:
Theis Schmidt
Music:
Krister Linder
Producers:
Fredrik Zander, Kristina Åberg
Produkcija :
Atmo Production, Memento Films, Oy Bufo Ab
Distributer:
Blitz
 
Filmography:

2022 Walad Min Al Janna / Cairo Conspiracy / Zavera u Kairu
2022 The Contractor / Plaćenik
2017 The Nile Hilton Incident
2014 Tommy
2009 Metropia
Awards:
2022 - Kan - nabolji scenario / Cannes Film Festival - Best Screenplay

Showing

04. Mar

Time: 17:00
Price: 500 RSD
MTS dvorana, Hall 1

05. Mar

Time: 10:00
Price: 300 RSD
MTS dvorana, Hall 1

05. Mar

Time: 19:30
Price: 500 RSD
Cineplexx UŠĆE Shopping Center, Hall 1

TALIK SALEH

Director and scriptwriter Tarik Saleh (1972) started as one of the top graffiti artists in Stockholm in the 80’s. His film debut came with Metropia (2009). The film premiered at Venice Film Festival as opening film for the Critics’ Week. After Tommy (2014), he directed and wrote the screenplay for The Nile Hilton Incident (2017) that won The Grand Jury Prize at Sundance and was a box office hit in France He also directed the Hollywood film The Contractor (2022). Tarik Saleh’s latest film Cairo Conspiracy (2022) premiered at Cannes main competition and was awarded with Best script.

Reveiws:

Egypt’s religious and secular institutions both breed mistrust in Tarik Saleh’s superbly realised paranoid nightmare.

Peter Bradshaw, The Guardian

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